Fleetwood Mac

George and Ryan react to ‘Dreams’

On Friday, George and Ryan, hosts of the popular YouTube channel Lost in Vegas, reacted to Fleetwood Mac’s No. 1 single “Dreams” from Rumours. The pair have reacted to hundreds of songs — everything from metal to country to classic rock — sharing their first impressions with fun banter and insightful commentary.

For their take of “Dreams,” the dynamic duo described it as “beautiful,” praising the song’s harmonies and vocal layering. George was especially taken with what could only be the signature Mick Fleetwood/John McVie rhythm section. “I love their sound!” The groove starts to take over; it starts to come over you, baby!” 

Hear their full reaction below.


Article Buckingham McVie Fleetwood Mac

Stevie on Buckingham McVie: ‘I’m happy for them’

Stevie Nicks says another Fleetwood Mac album is unlikely: ‘We’re not 40 anymore’

The music icon says the band are more keen to focus on touring

Stevie Nicks says she does not think Fleetwood Mac will make another album together — because they are “not 40” any more.

The singer, 68, believes the band are more likely to focus on touring and doubts they will ever record a follow-up to 2003’s Say You Will.

She said: “If the five of us were to get together to make a record it would take a year, which is what it always takes us.

“It would be a whole year of recording, then press, then rehearsal, and by the time we got back onto the road, it would be heading towards the second year, and I don’t know whether at this time it’s better for us just to do a big tour.”

The band has sold more than 100 million records and reformed with the classic line-up of Nicks, Lindsey Buckingham, John and Christine McVie and Mick Fleetwood for a world tour, which ended in 2015.

Nicks said: “It’s every single penny we make divided by five, so the expense of making a record, which is huge, and then to get back on tour … we are not 40.

“We have to take that into consideration — how long can we do tours that are three-hour shows? Would you rather spend a year in the studio or get back on the road? I think that the band would choose to tour.”

Nicks, who is focusing on her solo career, is also reluctant to make new music.

She said: “I don’t write as many songs any more because with the internet, the way that kids listen to music, all the streaming, and the fact that if they’re very savvy, if they want to get it and not pay for it, they can.

“It goes against the grain of our whole belief in, ‘You write a song, you record it, and you put it out there and people should buy it’.

“We realise it’s not our world any more and the younger kids don’t look at it like they’re taking from us… we don’t have the impetus to write 20 songs because we know that unless you’re under 20 you’re not going to sell many records.”

She is not involved with the new album by McVie and Buckingham, which is not a Fleetwood Mac record.

She said: “I’m sure it’s going to  be great, because Christine is super-inspired. I’m really happy for them.”

On July 9, Nicks will support her old friend Tom Petty with his band The Heartbreakers at Barclaycard Presents British Summer Time in Hyde Park.

She said: “I’m the girl who always wanted to be in his band and he’s always the one who said, ‘No, no girls allowed.’ There’s just no one else I’d rather be on stage with than Tom.”

Alistair Foster / Evening Standard / Tuesday, January 17, 2017

2013 Rumours Tour Extended Play (2013)

Going their own way

Fleetwood Mac to go their own way performing new songs on tour — and fans outraged at ‘tickets that cost more than my rent’

Fans might clamour for the hits from Rumours but Fleetwood Mac will perform new material on their forthcoming tour.

Speaking to BBC 6 Music drummer Mick Fleetwood said the band had written three new songs, which they plan to play on stage later this year.

The 65-year-old hinted the recordings could be part of a “long term plan” to release a new studio album.

But fans hit back today at the price of tickets for the Fleetwood Mac tour, due to play in London, Birmingham, Manchester, Glasgow and Dublin. Tickets are priced between £50 and £125, but with a £12.50 booking fee can reach up to £137.50 each.

One fan tweeted: “Sorry Fleetwood Mac but your tickets cost more than my rent” while another said: “£135 each for Fleetwood Mac tickets…are they having a giraffe? Top price Beyonce tickets look set to be £95 too. Robbing bastards.”

The Rolling Stones were also criticised by fans last year for the cost of their tour, with tickets selling for as much as £1,300.

After frequent changes to the line-up since the band formed in London in 1967, the 2013 tour will feature Stevie Nicks, guitarist Lindsey Buckingham, and founding members Mick Fleetwood on drums and John McVie on bass.

Fleetwood revealed this morning that he had written some songs with guitarist Lindsey Buckingham six months ago as “a calling card” for singer Nicks.

“We wanted her to know we wanted to make some new music and we had some great songs,” he said.

“But her mother died not too long after and it wasn’t the time for her to do any singing, so we dropped it.

”Then recently she’s sung on three of them and recorded one original song of hers, so we’re going to mix these songs down and there’ll be something that we will play hopefully on stage.“

Nicks vowed last year that the tour would not be the band’s last, who have had more than four decades of making music.

“It’s never going to be a final tour until we drop dead. There’s no reason for this to end as long as everyone is in good shape and takes care of themselves,” she said.

Daisy Wyatt / The Independent /

Fleetwood Mac Rumours Expanded & Deluxe (2013)

Stevie Nicks recalls Rumours sessions as 35th anniversary reissue hits stores

2013-0129 Rumours Deluxe Edition

The 35th anniversary reissues of Fleetwood Mac’s Rumours hit stores today. The band’s historic 1977 album is available as a six-disc Deluxe Edition and a three-CD Expanded Edition. The deluxe package offers a remastered version of the original record plus the B-side “Silver Springs,” along with a variety of demos and outtakes, a CD of a ’77 concert performances, a DVD boasting a making-of documentary and a high-quality vinyl LP.

As fans familiar with the history of Fleetwood Mac know, at the time Rumours was being recorded, all five members of the band were going through major personal turmoil. Stevie Nicks and Lindsey Buckingham, who were a couple when they joined the group in 1975, were in the process of breaking up. In addition, John McVie and Christine McVie had just divorced, while Mick Fleetwood‘s own marriage was on the rocks. This upheaval was reflected in, and inspired, many of the tunes that wound up on the album, including such hits as “Dreams,” “Go Your Own Way” and “Don’t Stop.”

Speaking with ABC News Radio about the Rumours sessions, Nicks admitted that as hard as that time may have been emotionally for the band members, it also was a very positive period for the group, in part because of the quality of the music being made.

“We were all writing little movies around what was really happening and we were digging it,” she explained. “We were having a lot of fun recording those songs, even though we were falling apart…If anything was keeping us from falling apart it was going into the studio every day. And we were totally having a great time.”

The singer also maintains that although she and her band mates may have been experiencing a lot of hurt with regard to the state of their relationships, on the whole, they had little to complain about.

“We were rich. We were young,” said Nicks. “We were falling out of love with each other but, hey, there was a lot of other…men and women in the world. [And] we were all movin’ on and we had these great jobs. So, as bad as it was, it was still great.”

Following its release in February 1977, Rumours went on to top the Billboard 200 chart en route to winning the Grammy for Album of the Year. It has sold more than 19 million copies in the U.S. alone, making it the ninth-best-selling album ever released in the States. Fleetwood Mac fans can expect to hear plenty of tunes from the record if they check out a show on the band’s upcoming North American tour, which kicks off April 4 in Columbus, Ohio.

ABC News Radio  / Tuesday, January 29, 2013

Copyright 2013 ABC News Radio

Fleetwood Mac Mirage (1982) Music Videos

Fleetwood Mac – Gypsy (1982)

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Bella Donna (1981) Tusk (1979)

Mac’s Stevie Nicks first to be pacted by Modern

This article is not available.

D. Hall / Billboard (September 29, 1979, Vol. 91, p4)

Fleetwood Mac (1975)

Fleetwood Mac

NOT ONLY IS Fleetwood Mac no longer blues oriented, it isn’t even really British: The two newest members, Lindsey Buckingham (guitar and vocals) and Stevie Nicks (vocals, acoustic guitar) are American, and all five members are now based in Los Angeles.

The band began its spiritual journey to L.A. a half-dozen albums ago on Future Games when it was led by the often dazzling guitarist/singer Danny Kirwan. Kirwan is long gone but his inspiration lingers in the songs and singing of Christine McVie (who’s also developed into an effective keyboard player) and in the electric guitar playing of Buckingham, who likes to interpose aching, Kirwanesque leads and textured, Byrds-like rhythm lines. Thanks to their efforts, Fleetwood Mac is easily the group’s best and most consistent album since Bare Trees, the last to feature Kirwan.

The four songs written and sung by Christine McVie make it clearer than ever that she’s one of the best female vocalists in pop, and a deft song craftswoman as well. “Say You Love Me,” “Over My Head,” “Sugar Daddy” and “Warm Ways” transform conventional pop-song structures into durably attractive and believably genuine pieces – each sounds like an ideal radio song. McVie’s singing — slightly husky, not beautiful but unaffected — is simply captivating; she does everything right.

But her contributions have been a strong point since she first appeared with the group on Kiln House; what makes this album a marked improvement over the last several are the efforts of Buckingham, who gives Fleetwood Mac a distinguished and fitting guitar and vocal presence, something the band has lacked since Kirwan’s departure. Of the four tracks he dominates, “Monday Morning” has the most initial appeal, but the hard-edged guitar song, “World Turning” (a McVie/Buckingham collaboration) and the gorgeously somber “I’m So Afraid” stand out more and more as the album grows more familiar.

Nicks, on the other hand, has yet to integrate herself into the group style. Compared to McVie’s, her singing seems callow and mannered, especially on “Landslide,” where she sounds lost and out of place — although to be fair, this is more a problem of context than of absolute quality. Her “Rhiannon,” colored by Buckingham’s Kirwan-style guitar, works a little better and “Crystal,” on which Buckingham joins her on lead vocal, suggests that she may yet find a comfortable slot in this band.

Thanks to the rapport that is evident between McVie and Buckingham, Fleetwood Mac adds up to an impressively smooth transitional album.

© Bud Scoppa / Rolling Stone / September 25, 1975